- Welcome to The Wise Collector
- Knowledge Changes Everything!
- Buyer Beware!
- Buyer Beware!: Part II
- Caring for Your Antiques
- Coin Collecting
- McCoy Pottery
- Chinese Export Porcelain
- Frankoma Pottery
- The Arts and Crafts Movement
- Roycroft
- The Art Deco Period
- Susie Cooper Pottery
- Limoges China
- 18th C American Furniture Styles
- The Bauhaus School: Weimar 1919
- The Bauhaus School: Design & Architecture
- Portmeirion
- The End of a Century: Art Nouveau Style
- Biedermeier: The Comfortable Style
- The Souvenir Age
- A History of Ceramic Tiles
- Flow Blue China
- Collect Vintage Christmas Decorations
- An American Thanksgiving Through theYears
- How to Find an Antiques Appraiser
- Louis Prang, Father of the American Christmas Card
- Thomas Cook and the Grand Tours
- Harry Rinker's 25th Anniversary
- Mid-Century Modern
- Will Chintz China become Popular Again?
- Ireland's Waterford Crystal
- Vintage Wicker and Rattan
- Fishing Gear Collecting
- Bennington Pottery
- Identifying Pottery and Ceramic Marks
- The Art of Needlework in the Arts & Crafts Era
- The Delicious World of Vintage Cookbooks
- BLOG: RANDOM THOUGHTS
- E-BOOKS BY BARBARA BELL
- First Reader Consulting
Vintage Wicker and Rattan
Almost as soon as baskets were first made, furniture was also made from a form of basket work called wicker. Among the oldest crafts in the history of mankind is basketry, in which rods of reed, rattan, willow, grass or split bamboo are woven into objects of utilitarian value, made graceful by the natural materials and skill of the weaver. This process produces the shape of the object by weaving split or whole rods of willow (osier) around a warp of stiffer rods. Osier/wicker furniture was known in ancient Egypt in 3000 BC, tub-shaped wicker chairs appear on Roman stone reliefs, and wicker furniture continued to be common through the 16th and 17th centuries. Now, however, the phrase "wicker" is used generically to refer to the furniture itself or the process which may include other materials such as cane, reed and rattan.
Bar Harbor Style
Rattan is native to Southeast Asia and is a climbing palm with a thin hard bark which can be bent without breaking. Cane is the pared outer surface of the rattan palm, and reed is the inner core. Until the 19th century, the reed was discarded, but in the mid-1800s reed became much more common than rattan as furniture material. Willow reappeared in the early 1900s as the favored material. Examples of early 19th century wicker furniture may be seen in museums and private collections, but by mid-century wicker furniture was widely popular for its usefulness both indoors and outdoors. Its simple material, left its natural color or stained, as well as the obviousness of its construction made it a welcome contrast to typical heavy Victorian furniture. The basic material could be designed as elaborately or as simply as desired by weaving designs into the material, and comfort supplied by loose cushions. A more health-conscious public saw wicker as clean and sanitary, reminiscent of country living and healthy lifestyles.
Wicker furniture manufacturing in the United States began with the Wakefield Rattan Company which later merged with the Heywood Company to form the Heywood-Wakefield furniture company. But wicker was being made all over Europe as well, and was influenced greatly by the Arts and Crafts movement in England and by many Continental designers in the early years of the 20th century.
The benefits of cane and wicker in furniture making are that they combine strength and light weight with simple form and relatively inexpensive raw materials. In addition, with proper care wicker can be used both indoors and outdoors. This made it popular in institutions such as hospitals, nurseries, and hotels. By the end of World War II, an interest in open floor plans and lighter weight furniture reignited wicker's popularity. New manufacturing techniques and man-made materials created an even more economical version. By the end of the 1960s wicker and its imitations appeared in such forms as tables, magazine racks, hat stands, planters, chests of drawers, bed frames, lamps, shelves and desks.
Collectors of vintage wicker furniture will want to know the differences in materials as well as the age and maker, if possible. Almost indistinguishable from reed, willow is light gold in color, takes a stain well and shows small knots where new shoots have been removed. Cane is more commonly used for seats and backs of chairs. A man-made material made from twisted paper and wire is called fiber-reed, art fiber or "Lloyd Loom" after its inventor. The manufacturer Dryad made chairs with hardwood frames instead of willow or softwood, which may be seen by inspecting underneath. Furniture from the 1950s may imitate rattan by substituting bentwood which was colored and charred at intervals to give it the look of rattan.
The ravages of time and neglect will affect the value and continued usefulness of vintage wicker. Damage to the woven materials, the frame, and painted surfaces all have a detrimental effect on its value. Specialty dealers and restorers can be your best advisers in assessing and repairing wicker furniture. For more information on the history of wicker, and how to care for your antique wicker furniture, visit The WickerWoman's site.
Bar Harbor Style
Rattan is native to Southeast Asia and is a climbing palm with a thin hard bark which can be bent without breaking. Cane is the pared outer surface of the rattan palm, and reed is the inner core. Until the 19th century, the reed was discarded, but in the mid-1800s reed became much more common than rattan as furniture material. Willow reappeared in the early 1900s as the favored material. Examples of early 19th century wicker furniture may be seen in museums and private collections, but by mid-century wicker furniture was widely popular for its usefulness both indoors and outdoors. Its simple material, left its natural color or stained, as well as the obviousness of its construction made it a welcome contrast to typical heavy Victorian furniture. The basic material could be designed as elaborately or as simply as desired by weaving designs into the material, and comfort supplied by loose cushions. A more health-conscious public saw wicker as clean and sanitary, reminiscent of country living and healthy lifestyles.
Wicker furniture manufacturing in the United States began with the Wakefield Rattan Company which later merged with the Heywood Company to form the Heywood-Wakefield furniture company. But wicker was being made all over Europe as well, and was influenced greatly by the Arts and Crafts movement in England and by many Continental designers in the early years of the 20th century.
The benefits of cane and wicker in furniture making are that they combine strength and light weight with simple form and relatively inexpensive raw materials. In addition, with proper care wicker can be used both indoors and outdoors. This made it popular in institutions such as hospitals, nurseries, and hotels. By the end of World War II, an interest in open floor plans and lighter weight furniture reignited wicker's popularity. New manufacturing techniques and man-made materials created an even more economical version. By the end of the 1960s wicker and its imitations appeared in such forms as tables, magazine racks, hat stands, planters, chests of drawers, bed frames, lamps, shelves and desks.
Collectors of vintage wicker furniture will want to know the differences in materials as well as the age and maker, if possible. Almost indistinguishable from reed, willow is light gold in color, takes a stain well and shows small knots where new shoots have been removed. Cane is more commonly used for seats and backs of chairs. A man-made material made from twisted paper and wire is called fiber-reed, art fiber or "Lloyd Loom" after its inventor. The manufacturer Dryad made chairs with hardwood frames instead of willow or softwood, which may be seen by inspecting underneath. Furniture from the 1950s may imitate rattan by substituting bentwood which was colored and charred at intervals to give it the look of rattan.
The ravages of time and neglect will affect the value and continued usefulness of vintage wicker. Damage to the woven materials, the frame, and painted surfaces all have a detrimental effect on its value. Specialty dealers and restorers can be your best advisers in assessing and repairing wicker furniture. For more information on the history of wicker, and how to care for your antique wicker furniture, visit The WickerWoman's site.
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